Steve Reich’s 1989 Nonesuch recordings Different Trains and Electric Counterpoint get new vinyl reissue Steve Reich’s 1989 Nonesuch recordings Different Trains and Electric Counterpoint get new vinyl reissue.
Главная»Музыка»Классическая и современная академическая музыка»Камерная инструментальная музыка (lossless)
Стаж: 13 лет 1 месяц
Сообщений: 733
q3mi4 · 25-Янв-17 17:29(2 года 9 месяцев назад, ред. 25-Янв-17 17:30)
Steve Reich: Different Trains (Kronos Quartet) + Electric Counterpoint (Pat Metheny) Жанр: Post-Modern, Musique Concrète Страна-производитель диска: USA Год издания диска: 1989 Издатель (лейбл): Elektra Nonesuch Номер по каталогу: 9 79176-2 Дата записи: 26.9.1987 - 9.9.1988 Аудиокодек: FLAC Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:41:45 Источник: релизер сайт-источник/ник/другое: Magosko @ apollo.rip Наличие сканов в содержимом раздачи: нет Треклист: Different Trains, for double string quartet & tape: 1. Kronos Quartet – America – Before The War (08:59) 2. Kronos Quartet – Europe – During The War (07:31) 3. Kronos Quartet – After The War (10:20) Electric Counterpoint, for electric guitar, bass guitar & tape: 4. Pat Metheny – Fast (06:51) 5. Pat Metheny – Slow (03:21) 6. Pat Metheny – Fast (04:29) Исполнители: 1-3 Kronos Quartet: David Harrington, John Sherba – violin Hank Dutt – viola Joan Jeanrenaud – cello 4-6 Pat Metheny – guitarДоп. информация: 'Different trains' recorded August 31 - September 9, 1988 at Russian Hill Recording, San Francisco. 'Electric counterpoint' recorded September 26 - October 1, 1987 at Power Station, New York City. https://www.discogs.com/Steve-Reich-Kronos-Quartet-Pat-Metheny-Different-Trains-E...t/release/108357 http://www.nonesuch.com/albums/different-trains-electric-counterpoint http://kronosquartet.org/recordings/detail/167
Different Trains (1988) for String Quartet and tape begins a new way of composing that has its roots in my early tape pieces It’s Gonna Rain (1965) and Come Out (1966). The basic idea is that carefully chosen speech recordings generate the musical materials for musical instruments. The concept for the piece came from my childhood. When I was one year old my parents separated. My mother moved to Los Angeles and my father stayed in New York. Since they arranged divided custody, I travelled back and forth by train frequently between New York and Los Angeles from 1939 to 1942 accompanied by my governess. While the trips were exciting and romantic at the time I now look back and think that, if I had been in Europe during this period, as a Jew I would have had to ride very different trains. With this in mind I wanted to make a piece that would accurately reflect the whole situation. In order to prepare the tape I had to do the following: 1. Record my governess Virginia, then in her seventies, reminiscing about our train trips together. 2. Record a retired Pullman porter, Lawrence Davis, then in his eighties, who used to ride lines between New York and Los Angeles, reminiscing about his life. 3. Collect recordings of Holocaust survivors Rachella, Paul and Rachel—all about my age and now living in America—speaking of their experiences. 4. Collect recorded American and European train sounds of the 1930s and ‘40s. In order to combine the taped speech with the string instruments I selected small speech samples that are more or less clearly pitched and then notated them as accurately as possible in musical notation. For example: